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.sional.The actor himself admitted this in a 1978 interview.In THE COMPANY Keaton was faced with the chal-Nonetheless, Keitel makes the best of his opportunities.lenge of portraying a real-life character, James Jesus Angle-When D Hubert (KEITH CARRADINE) first brings himton (1917 1987) the former Deputy Director of the CIA andnews of his arrest, Feraud is in the salon of Madame demaster spy-hunter, who was also the guardian of the MJLionne (Jenny Runacre).Keitel demonstrates his character sMajestic Twelve (MJ-12) project disclosing classified sub-common origins and lack of finesse by the way he sits andjects such as extraterrestrial life forms and their technolo-scowls among the fashionable people around him particu-gies.He was described by one of his colleagues as  truly a bitlarly when forced to listen to a countertenor.But this is theof a lunatic.He fancied himself as a serious poet.He wasearly nineteenth century, when it is possible for people ofhalf-Mexican (via his mother), very tall and gangly, a racon-humble rank to rise up the social scale without the benefitteur who could stay up all night talking.In fact, he fairly wellof power and/or influence.Hence Feraud takes a pride indestroyed the CIA single-handedly because of his paranoia.wearing the Légion d Honneur, a medal awarded for bravery.He put a security system in place that ensures even todayFor Charles Shiro Tashuro, Keitel s Feraud represents  thethat CIA people work in a bubble, isolated from the way thedestructive energies of the [French] Revolution.He isworld works. Robert De Niro s film THE GOOD SHEP-both the Terror and the Eighteenth Brumaire, yet with nei-HERD (2006) is loosely based on his life, with Matt Damonther the revolutionary ideals of the former, nor the talentsin the title role.for rationalized organization of the latter.Keaton admitted in an interview with TV Zone that por-On the other hand, Keitel s Feraud is intensely ferocioustraying the character was  massively complex, and the workand implacable the kind of person who will fight on anywas, in some ways, for me, more difficult because it s thepretext, even when placed under arrest for dueling with aantithesis of what I normally do. He gives the character cer-civilian.Pages of JOSEPH CONRAD s description are neatlytain characteristic gestures for example, emphasizing asummed up in a sequence when Feraud, exiled to thepoint with a wave of his cigarette.In Keaton s performance,provinces, a splenetic figure in a black greatcoat, stares outAngleton is portrayed as meticulous in his attention toa small dog trotting behind a farmhouse as though he woulddetail putting together apparently disparate pieces of evi-compete with it for a place in the road, and cut its head offdence to build up a picture of his enemies in a  very delicateif the occasion required.In serving Napoleon and the causegame. He believes that people need  the patience of a saintof war so passionately, Feraud embodies what Conradfor counterintelligence. However, Angleton s persistence isdescribes as  the fixity of savage purpose that men alone arevindicated, as he eventually uncovers Yevgeny s (RORYcapable of displaying.COCHRANE s) real identity and correctly identifies the moleAccording to Susan Knobloch, by the time Keitel madewithin the CIA as Leo Kritzky (ALESSANDRO NIVOLA).THELMA & LOUISE, he had acquired the screen persona of a working-class tough guy usually on the wrong side of theReferenceslaw, with much more use for and understanding of the menVincent Graff,  Know Your Enemy, Radio Times, 24 30 (Novem-in his life than the women even as questions eat away atber 2007): 26 29;  The Company of Wolves, TV Zone 219 (Sep-him about how to define, defend, enjoy and withstand histember 2007): 58.and others masculinity. However, Scott cast him againstBibliography type as Hal Slocombe, a good cop trying to bridge the dif-Timothy S.Cooper,  James Jesus Angleton Deputy Director of ferent discursive spaces between men and women [ Pobierz caÅ‚ość w formacie PDF ]

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